The Disaster Artist by Greg
Sestero and Tom Bissell
This bizarre, hilarious behind
the scenes look of the making of The Room,
a film that is arguably the 21st century’s answer to Ed Wood’s filmography,
is one that needs to be read to be believed.
The book switches between two stories: the friendship formed between
aspiring actor Sestero and Tommy Wiseau, a man with all the ambition of a great
artist but none of the talent, and the troubled production of The Room, a film Wiseau believed was a
masterpiece but has since become a cult favorite among “so bad it’s good” movie
fans. Perhaps seeing the film first
would be the best way to enjoy this book, as Wiseau’s eccentricities (refusing
to say what country he’s from, confirm his age or divulge the source of his
bottomless income) may be too hard to believe without additional context. While there are a lot of laughs at Wiseau’s
odd behavior and cluelessness about how art works, Sestero and Bissell do as
good a job as they can at making this guy sympathetic. The one thing I would’ve liked to have seen
is anything that happened after the film’s initial release and the rise of its
cult status.
The Lies of Locke Lamora by
Scott Lynch
Another in the series of books I’m
reading while waiting for Game of Thrones
season five, this one filled the time rather well. It certainly gives Martin’s Westeros a run
for its money in brutality. In the city
of Camorr (based on medieval Venice, a refreshing change of pace from all the
ones based on medieval England), a team of orphans are brought up by a
deceptive “priest” who raised them to be master thieves. The second story involves the title
character, an adult now running the group known as The Gentlemen Bastards, as
they set up elaborate cons and amass a small fortune. Things get messy when a mysterious player
known as the Gray King makes his move on the underground controlling Barsavi family
and eventually on the Bastards themselves.
I was impressed by Scott Lynch’s short story in the Rogues anthology,
and this one was another fun read. Using
the heist genre in a fantasy world helps the world building immensely (since to
paraphrase Christopher Nolan, in heist films exposition counts as
entertainment), but at the heart Lamora and his Bastards were a compelling crew
to read about, and I look forward to checking out the rest in the series.
Fire and Rain by David Browne
Basically four mini rock bios in
one, Fire and Rain focuses on the
year 1970 through what happened to four acts, all of whom put out a major album
that year: The Beatles (Let It Be),
Simon & Garfunkel (Bridge Over
Troubled Water), Crosby, Stills, Nash & Young (Déjà vu) and James Taylor (Sweet
Baby James). Within the year two of
these acts broke up, one went on hiatus and the final one signaled a new era in
popular music. Their classic albums
serve as the launching pad for Browne to talk about what else was happening in
1970 and how that era that defined the ‘60s was coming to an end. Fans of any of these acts—and I have to
imagine anyone reading this likes at least one of them—will find a lot of
insight and maybe will be able to enjoy their work in a new, richer context.
Star Wars by Jason Aaron
& John Cassaday
For certain readers, 2015 may be
boiled down killing time until The Force
Awakens’ release. Obviously we still
have a long way to go, so those antsy to return to the galaxy far, far away
would serve themselves right to check out this new comic series, the first
under Marvel’s banner since Dark Horse lost the rights. The main title is basically episode 4.5, with
the Rebels on a mission that as you can expect, goes awry. Written by Jason Aaron (Southern Bastards), the Star
Wars relaunch is off to a very entertaining start and John Cassaday’s art
represents the characters and the world well.
Although Cassaday will be leaving the series after issue six, it seems
like Marvel’s going to do what it takes to make sure this series doesn’t miss a
step. They certainly would want to keep this going strong.
The Martian by Andy Weir
If Gravity starred a non-evil version of Walter White, it might look a
little something like this exciting debut novel. Following a massive storm that causes his
crewmates to evacuate, astronaut Mark Watley is left alone on Mars. How he tries to survive the seemingly endless
obstacles in his way and figure a way off that rock drive this story. There is a lot of math and science to take
in, but Weir ties it to the high stakes help make it relatable to non-hard
sci-fi devotees. I wonder how this
problem solving will look when the film, due later this year, comes out. If it’s anything like the book, they
certainly will have a great popcorn movie on their hands.
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