Thursday, February 27, 2014

Best Documentary Film Nominees Mini-Reviews

Oscar season can be a frustrating time for the average movie fan.  Trying to see all the best picture nominees can be nearly impossible (a friend of mine was able to do it) with work and day to day life getting in the way.  Fortunately streaming video has made it a lot easier to catch up.  Although I’m woefully behind on my best picture viewing and won’t get there in time for Sunday night, I have been able to see all five nominees for best documentary.  All but one of these (20 Feet from Stardom) are available on Netflix (it is available for rental via disc or from other digital rental sites) (UPDATE: 20 Feet, as of March 21st, is available on Netflix Instant), so it’s pretty easy to catch at least one of these before the big ceremony.  As to which one you should watch, here are my quick reviews of the five nominees:

20 Feet from Stardom

First up is a look at African American back-up singers from the early 60s through today, profiling legends like Darlene Love and up and comers like Judith Hill.  It’s the lightest of the five, but it still goes in depth into how they helped artists like The Rolling Stones, David Bowie and Sting.  They also talk about how the role of back-up singer has changed with the business and their attempts at taking center stage, as well as why so few of them achieved big success.  I’ve always been a fan of the supporting people who help the superstars be as great as they can be, but never get the glory.  Thankfully this film gives these talented ladies their due.

Grade: A-

The Act of Killing

My.  God.  This documentary follows two men who set about reenacting the murders of suspected communists they committed for the Indonesian government in the 60s.  It also goes into how the actions of these men—who never received any punishment for their actions, but rather became national heroes—shaped a country that openly discusses its brutality and corruption without any belief that it’s wrong.  Joshua Oppenheimer doesn’t resort to cheap tricks to demonize the subjects (it’d be pretty easy to).  Rather he lets them speak for themselves, and what they say is shocking both in its content and how casually it is said.  Unbelievable and unforgettable, The Act of Killing is easily one of the year’s best films.

Grade: A

Cutie and the Boxer

Zachary Heinzerling’s look into the lives of eccentric Japanese artists Ushio and Noriko Shinohara is my least favorite of the bunch, but still worth checking out.  Ushio is an established Dadaist while Noriko is trying to make a name for herself as Ushio’s work becomes the subject of an art show.  There isn’t much more to it than they are from Japan, living in New York and have struggled for decades on art that usually doesn’t sell, but they are interesting characters to follow and Heinzerling takes what they do seriously.  After some of the more serious contenders, this would be a good way to break the tension.
                                                         
Grade: B

Dirty Wars

Dirty Wars, Richard Rowley’s film about Jeremy Scahill’s investigation into covert operations the United States have undertaken, specifically raids that have left a lot of civilian casualties.  His argument that the US is finding itself plunged into a state of perpetual warfare, is well made and non-sensationalistic, which makes it all the more chilling.  If you want to feel really bad about American foreign policy, this is the one to watch.

Grade: B+

The Square

Jehane Noujaim’s street eye view of the Egyptian Revolution that unseated President Mubarak in 2011 is a compelling portrait of a revolution and the struggles that come with non-violet protest.  Focusing on a small group, including a charismatic and passionate young man named Ahmed Hassan, as well as Kite Runner actor Khalid Abdalla, The Square manages to show a lot about Egypt so even those of us who didn’t follow this story can follow what’s happening.  It’s hard not to be rooting for them as they seek reform in their country.

Grade: A-


It should be safe to say my should win is The Act of Killing.  As to what I think will, I’m more split.  Killing is innovative in how it tells its story and has a good chance of bringing home the trophy, but there is also a chance 20 Feet from Stardom will take it, as it is lighter fare and more crowd pleasing.  Regardless, this is a pretty solid batch of films and I think whatever you pick will be at least interesting.

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