In my recent “Rest of 2013”
piece, I criticized the writers of How I
Met Your Mother for not using The Mother more in the final season. Introduced in the closing moments of the
eighth season finale, The Mother (played by Cristin Milioti) has been a breath
of fresh air for the show. How I Met Your Mother is in its ninth
season and like just about every show that makes it to this point, the quality
wanes. The Mother’s appearances have
been highlights, but unfortunately there’s the small detail that she and Ted
(the ‘I’ of the title) can’t meet in the present part of the timeline until the
finale. While she’s shown up in other
character’s storylines and in flashbacks and flash forwards, she’s been largely
relegated to the sidelines until the 200th episode “How Your Mother
Met Me”.
The episode plays a bit like
what I call a “Zeppo” episode (after the Buffy
episode), where the show shifts its focus from the usual characters to
supporting characters. “How Your Mother
Met Me” serves to fill us in on what The Mother has been doing for the past
eight seasons. It starts on a
surprisingly tragic note, as she learns the man she believed was “the one” has died,
and on her 21st birthday no less.
Nobody at 21 expects something like that to happen, so that traumatic event
expectedly echoes throughout her twenties.
Milioti nails the heartbreak, and the pace of the episode keeps it from
being maudlin.
Most of the episode plays
catch up as we follow The Mother across the major road markers of near misses
Ted and she have had over the years. They
manage to cram a lot of call backs from the show in this episode’s 22 minutes;
from The Mother being friends with “The Naked Man” Mitch to all the small
details about her that Future Ted’s sprinkled throughout the run. I definitely wish we could’ve seen more in
this episode (or better yet, more of it), but for a single episode, they made
excellent use of their time.
It culminates with The Mother,
having decided to move on alone, singing a haunting rendition of “La Vie En
Rose”. “La Vie En Rose” is a beautiful
song, but what makes this scene so potent is Milioti’s performance both as a
singer and actress. It might not be how
she would sing it if she were cutting the song for an album, but it makes sense
that that’s how The Mother would play it.
All the grief and heartbreak is there (anytime it appears that her voice
breaks a little is a master touch), yet there is that sense that deep down The
Mother is still a romantic like Ted, who no doubt fell in love with her hearing
her sing it over the partition between their adjoining rooms.
Before they introduced The
Mother, there was the common belief that the show should have ended the moment
Ted and The Mother met. Ultimately this
episode proves just how bad an ending that would’ve been. If that had happened The Mother would be just
an object. It might as well have been
some expensive item Ted saved up for for eight years. Having us meet The Mother before Ted does was
the right thing to do and this episode serves to get us invested in her story
so we end up falling in love with her and rooting for her to find that second
chance we know is coming.
No doubt casting The Mother
was a difficult process. Finding someone
to live up to the hype of eight seasons of TV, not to mention justify the
existence of a subpar ninth, could have been a complete disaster with the wrong
woman. Luckily they found the perfect
woman for Ted in Milioti and the case made for her here was Emmy worthy. I understand the frustration some viewers
have had in reaction to this episode after sitting through filler episodes
(this reinforces my initial complaint that she was underused in the season so
far), but this episode could be one that redeems the season. This episode shows that while the series has
seen better days, the heart of the show can be as strong as ever.
Miscellaneous:
-Among the things debunked:
the Mother wasn’t the ideal match from the dating service Ted blew off in
season one, nor was he the random woman who Ted bumped into during St. Patrick’s
Day 2008.
-No confirmation on her name
though, so the “Tracy” theory from way back in season one’s “Belly Full of
Turkey” (Where Ted tricked his kids into thinking The Mother was a stripper
with that name) is still valid.
-Louis is played by Louis Ferrigno
Jr., Lou Ferrigno’s son. Also Linus is played
by Robert Belushi, Jim Belushi’s son.
-I may be wrong, but is this
the first episode where neither Robin nor Marshall have any lines?
-I don’t know if they intended
this, but both episodes divisible by 100 ended in musical numbers, though they
couldn’t be more different. “Girls Vs.
Suits” ended with the elaborate song and dance number “Nothing Suits Me Like a
Suit”, complete with dozens of backup dancers and Neil Patrick Harris being
funny. This one ends with a stripped
down, intimate performance of just a ukulele and Milioti. I don’t know which one I prefer, but both
were fantastic.
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