Tuesday, December 10, 2013

6 Things I Learned Doing Nanowrimo

I was one of 315,904 participants in National Novel Writing Month or Nanowrimo.  The basic goal of the month is to generate a first draft of a story consisting of 50,000 words or more (roughly 1667 words a day).  It can be a grueling marathon, one that drains your mental facilities as you try to figure out what to do next with your work.  I have done it the last two years and somehow come out victorious both times.  It’s not easy, so here are a few things I’ve learned that hopefully aspiring writers can consider getting ready during the next 11 months.

1.       You Will Exhaust Your Initial Ideas Early, and That’s Okay.

Going in you may think you have all of the ideas for your novel knocking around in your head and all you have to do is put it to paper.  When I did Nanowrimo last year I had been thinking of my story idea for the prior two and a half years.  Before I sound like I was super prepared, I didn’t get that far.  In fact I hit the wall hard sometime around the end of week two both years.  That’s okay.  Even a 200-300 page novel is going to have more than you can keep going in your brain at the same time.

Don’t let that discourage you.  Getting those ideas out is good because it will make room for new ideas.  After you write everything you can think of think about what happens next and how to connect them all, and it’ll help strengthen your writing.  No writer has every single idea ready to go on the outset.  Some ideas will only come out during the writing process.

2.       Embrace Your Inner Swooper

When I try to write, it’s hard not to feel a little like Nicolas Cage’s Charlie Kaufman in the movie Adaptation.  There are so many options with writing a story it can be easy to get overwhelmed and constantly criticizing yourself for not writing the great American novel.  Countless stories never get told because the writer can’t get beyond these insecurities.  Following the Kurt Vonnegut model of swoopers (those who write prolifically and edit later) and bashers (those who write and scrutinize all the way), I’m a basher through and through, and I have to imagine a lot of Nanowrimo participants are bashers as well.  But to win Nanowrimo, I had to try to think like a swooper.

So it makes sense that one of the things Nanowrimo encourages is to allow its participants to give themselves permission to write crap.  This may seem counterintuitive: why bother putting in all this effort into a subpar product?  However, letting the bad ideas flow allows all ideas to flow.  Nanowrimo is all about getting in motion all the people who keep saying they’re going to write, but never get around to putting those ideas out because they get hung up on it not being a complete novel the first time out.  With editing, no one has to know about the cheesy dialogue, scenes that go nowhere and characters who don’t add anything.  How I got to the ideas isn’t necessarily important to the reader.

3.       Having a Plan Is Helpful, but Always Leave Room for Improvisation

During Nanowrimo I met someone.  Her name is Charlotte.  She’s about my age, British with long black hair.  She knows how to use a sword and is a little hyperactive.  She also was barely in any of my outlines for my story up until I started writing this year’s Nanowrimo.  One of the joys of writing is discovery; stumbling upon some idea that you never would have thought of before you started writing.  George R.R. Martin has a quote attributed to him classifying writers as being either architects (ones who intricately plan every small detail) or gardeners (ones who plant a seed and see what happens).  It’s similar to the “swoopers and bashers”.  Of course a good novel will need structure with its story, character arcs and plot progression, but as I wrote I needed to allow myself the freedom to explore and take risks because I could find something better than what I originally set out to do.

4.       Being Open to New Sources Helps

It’s a logical conclusion to want to avoid consuming other stories during Nanowrimo out of fear of being too influenced by whatever you’re reading.  Certainly spending more time writing will limit the amount of time you have to read, watch TV and consume stories anyway, but writing in a vacuum is generally a bad idea.  Aside from maybe ancient cave paintings, art is influenced somehow by other art.  The best way to combat being too influenced by other work is to consume a lot of different types of work.  Read high fantasy, true life stories, beach read murder mysteries, classics, graphic novels and read with an eye as to how things function in the work and how you can figure out what works in your writing.  To be honest I didn’t read a whole lot going into last year’s Nanowrimo.  However in 2013 I vowed to be different and I’ve read a lot, from several Vonnegut novels to Neil Gaiman to graphic novels like Fables.  All writers read and it’ll make your work richer the more you can fit in.

5.       Writing 50,000 Words and Being a Winner Are Not Mutually Exclusive

Technically speaking, if you write 50,000 words you won NaNoWriMo.  It is a huge achievement to generate that much over only a month.  However, sometimes people take shortcuts to get to that magical number that may cheapen the victory.  There is a thread in the Nanowrimo forum all about tricks and cheats participants can use to boost their word counts.  To be fair, there are tips that can be helpful, like writing in a character’s backstory or writing out your thought process as you work out elements in your story.  Then you get tricks like not using contractions, always referring to characters by their full names or having characters repeat things for characters who are, for no practical reason in the story, hard of hearing.  For those who use these tricks I have to ask: what are you really getting out of it?  Are these things making your writing or your work ethic regarding writing any better?  These tricks will be the first things cut from any revision you make, so why even bother putting it in in the first place?  Sure, there are instances where it makes sense not to use contractions or have characters repeat themselves, but if you have unnatural sounding dialogue spoken by a bunch of Jimmy Two Times, who is going to want to bother slogging through that?  Unless you’re doing it for a school assignment, these cheats can’t be truly helpful.

It’s a bit like Rocky (or for a more contemporary version, the Late Night trilogy episodes of Louie).  Where (SPOILER) both Rocky and Louie don’t get what they want, yet both end on notes of triumph because they gave it everything they had, and really, doing everything you can is the only way to combat regret.

6.       The End of November Is Just the Beginning

Some people hate Nanowrimo.  Like really hate it.  I can see why, with publishers complaining about December submissions clogging up their inboxes written by at best naïve and at worst delusional would be authors.  For some, once Nanowrimo’s done they think they can just throw in the raw word file out to a publisher and think that JK Rowling money is going to roll in.  For people who claim that they love writing, they aren’t really applying themselves.

As much as Nanowrimo emphasizes revising and editing, it’s hard to ignore that some of the sponsors of Nanowrimo are enabling the idea that what you wrote in November is a final draft and is ready to go on December 1st, not to mention Novel Writing is in the full title (I guess “National First Draft Writing Month” isn’t as snappy).  It’s not that easy.  I’ve participated in Nano the last two years and you know how many people I’ve had look at my two drafts: nobody.  It’s not even close to being ready for anyone but me.  There’s still characters and story points that need clarifying and it needs to be put together into some cohesive whole.  There’s a lot of work ahead of me, but I think I’m closer to it than I was before Nanowrimo 2012.


Yes, there have been novels started in Nanowrimo that have been best sellers like Water for Elephants, but those writers no doubt put in the hours making them coherent novels before they were ever published.  You may be that one genius out of a million who can churn out a novel fully formed, but odds are you are not.  That type of writer is generally a creation of the movies (written by people who know better).  If you want to work as a writer, you have to respect and obey the work ethic of a writer.  That means reading a lot and writing a lot.  If you want to work as a writer, you need to treat writing like work.

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