Harry Potter and the Deathly
Hallows set a precedent for modern book adaptations that I’m surprised wasn’t
made earlier: instead of releasing one highly grossing entry in a franchise,
why not split it up into two? It’s
proven financially successful with Harry Potter & Twilight and may likely
do the same for the last film in The Hunger Games. However, one of the complaints is that by
splitting up the films the narrative flow isn’t as satisfying. It’s no surprise that eventually it would
happen to Game of Thrones, whose latest season only covered part of the third
book in the series, A Storm of Swords. Besides buying some time for George R.R.
Martin to write the final two books so the show runners don’t have to worry
about catching up yet, Swords is
considered by readers the best in the series and taking some extra time would
benefit the story. Judging from what
I’ve seen (I’ve only read the first book, preferring to watch the show as
someone new to what will happen next), it seems like the right choice.
Considering the world of Game
of Thrones only gets bigger each season, with new locales and characters added
in practically every episode, two seasons for this book makes sense. However, it is the event that happens in this
season’s penultimate episode, one readers have been anticipating since the
beginning, that really justifies that length. I couldn’t imagine them streamlining the
season to the point of having the Red Wedding, where several major characters
are brutally executed, take place in episode four or five. It’s a major event that needed the importance
of being a penultimate episode of a season, one fans know is the episode where
major things happen.
It’s also another game
changing event like Ned Stark’s murder in season one’s penultimate
episode. Martin’s series has been
praised for subverting expectations people have going in to fantasy
stories. Ned was the main character of
the first book, but they took advantage of that assumption for a shocking twist. Regardless, we still expected Robb to emerge
victorious and get justice from all the military victories he had in the war
and the story’s emphasis on the Stark clan, but Game of Thrones threw out books
worth of audience expectations when he was brutally killed with his pregnant
wife and mother. Of course in some ways
it feels like a definitive ending, but there are clearly more balls in the air
to indicate this war is far from over.
That you can’t tell what’ll happen next is a valuable asset to this
story.
Besides the Red Wedding, the
other major subversion of season three is the redemption of Jaime
Lannister. It’s hard to believe that the
guy who capped off the first episode of the series by having sex with his
sister and paralyzing Ned’s son would become one of the most honorable
characters in the series. It took a long
time, including a season of imprisonment and losing his sword fighting hand
before we began to see there was a lot more to him. His growing allegiance to Brienne, another
highly honorable character and his caretaker to King’s Landing, showed a lot
more layers to a character we thought he had figured out. Their dynamic was one of the most enjoyable
things from this season, from their butting heads to Jaime’s recount of how he
earned the nickname Kingslayer. This
transformation is what it took to make him pulling a Ron Burgundy to save
Brienne from the bear believable. To
paraphrase a character from that film: today, we spell redemption J-A-I-M-E.
The most improved subplot of
the season was no doubt Daenerys. The
distance between her and the rest of the cast in Westeros can be a little
frustrating as nothing either side has done has affected the other
significantly, at least not until this point.
This season she got some really awesome moments as she grows into a
position of someone vying for the throne and a legitimate threat to the others. The razing of slave city Astapor was a
highlight, and it seems like nothing’s going to stop her with her army of
killing machines and growing dragons.
There is a hint of power corrupting, which considering this world, is
something that will likely be dealt with.
I would’ve liked to have seen more with Ser Barristan, a knight who
rebelled from his forced retirement under Joffrey by aligning with her, as it
seemed to be building some tension between him and Daenerys’ longtime companion
Ser Jorah, but maybe that’s another victim of it being only half the book.
Things are also getting more
interesting by the wall, with the White Walker threat growing as the Night’s
Watch falls apart at Craster’s Keep and the Wildlings begin to survey for a
large scale invasion. This was another
storyline that suffered a little last season because of its distance to the rest
of the action, but in this season it’s encroachment toward the lives of the
rest of Westeros raises the stakes even further. In the middle of it is Jon Snow, whose story
this season takes him from defecting to the wildlings, falling in love and
consummating those feelings with Ygritte to failing to deliver on his promises
to the wildlings, betraying her and winding up back in Castle Black. It’s an interesting position for him to be in
because while he’s back in setting we haven’t seen since the first season, it’d
be foolish to think it’s a reset (same goes for Jaime’s return to King’s
Landing).
The saga in the north is also
setting up the stage for Stannis to have something to do: his storyline has
always been hit or miss for me. This
season he hasn’t done much besides lick his wounds following the Battle at
Blackwater from last season. Now he has
some purpose, rally his troops to assist the war on the White Walkers. It should be a nice change of pace from the
usual Melisandre coming between Stannis and Davos we’ve seen the last two
seasons—though to be fair bringing Gendry into the fold about his parentage
adds another interesting layer.
There were weak points this
season, the most noteworthy was Theon’s never ending torture session at the
hands of the demented Ramsay. I
understand—no specific book spoilers—this subplot deviates from the books, but
when all the subplots are chugging along, especially this season, Theon’s one
man Salo stands out as particularly
inert. Every week felt like the same
thing with few moments of character development, save for Theon’s comments when
he thought he was rescued. In the
finale, they quickly explain away what happened. Had they sprinkled bits of this throughout
the season it would’ve been more satisfying.
Because the season is only
half of the book, it lacks the closure previous seasons had, at least as much
closure as you can expect from a story like this. Several elements are left up in the air, or haven’t
been seen in a few episodes. Unlike my
problems with the lack of closure for Arrested Development, I’m OK with
some stuff not getting wrapped up because of the way this season was structured
and the fact that the fourth season is guaranteed barring some disaster. I wonder if those who watched this unaware of
the behind the scenes stuff could tell.
Regardless, even if they didn’t and left this season unsatisfied, there’s
no doubt fans will return because with a story told this well, you can’t stop
halfway.
Grade: A-
Observations:
*Obviously there’s a lot I
didn’t talk about in this review. Bran and Rickon’s trip up north with their
companions, Tyrion marrying Sansa and the pressures of him to father a child
with her, etc. Of course something dense
as this it’s hard to get it in less than 2,000 words, not to mention all the
stuff that is left in the air.
*Speaking of not mentioned
things: breakout character hands down Olenna Tyrell. Diana Rigg put in some great work there.
*Would’ve liked to have seen
more of the Tyrells in the last couple episodes, especially Margery. It’s interesting to see how she appears
genuinely concerned and sympathetic to others, but she’s playing the game just
as much as everyone else.
*Wonder how many nerd weddings
will feature “The Rains of Castamere”?
*Would’ve liked to have seen
more fallout from the death of Ros. She
may have not been a huge player on the show, but she’s been around since the
pilot. At least we didn’t have to see
her horrifying death.
*Mance Rayder also dropped off
the radar pretty quick. I’m expecting
him to show up next year, but I expected to see more of him this year.
*Loved seeing the Hound and
Arya together. Similar to her fun back
and forth with Tywin last year. It’ll be
interesting to see where this is going now that the Hound has no one to collect
a large reward from.
*The followers of the Lord of
Light may be legit, or at least they have magic that can bring back the dead.
*This may be the most
difficult season for me as far as not caving and reading ahead.
Great season three recap, Matt.
ReplyDeleteI wasn't as put off by the late season reveal of Ramsay (Bolton) Snow, since I think it was wise to distance him from Roose Bolton before the Red Wedding. It'll really be the one sore point in a great season.
Also glad to see Stannis be moving in a positive direction. Thank goodness Davos likes Stannis, or none of us would see any hope for King Bob's last brother.